Andrea del Castagno
Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Andrea del Castagno The Young David oil painting


The Young David
c1450/57 National Gallery of Art, Washington DC
Painting ID::  353 		Andrea del Castagno
The Young David
c1450/57 National Gallery of Art, Washington DC
   
   
     
Andrea del Castagno Crucifixion and Saints oil painting


Crucifixion and Saints
1440-41 Fresco Ospedale Santa Maria Nuova, Florence
Painting ID::  4743 		Andrea del Castagno
Crucifixion and Saints
1440-41 Fresco Ospedale Santa Maria Nuova, Florence
   
   
     
Andrea del Castagno St John the Baptist oil painting


St John the Baptist
1442 Fresco San Zaccaria, Venice
Painting ID::  4744 		Andrea del Castagno
St John the Baptist
1442 Fresco San Zaccaria, Venice
   
   
     
Andrea del Castagno God the Father oil painting


God the Father
1442 Fresco San Zaccaria, Venice
Painting ID::  4745 		Andrea del Castagno
God the Father
1442 Fresco San Zaccaria, Venice
   
   
     
Andrea del Castagno St John the Evangelist jj oil painting


St John the Evangelist jj
1442 Fresco San Zaccaria, Venice
Painting ID::  4746 		Andrea del Castagno
St John the Evangelist jj
1442 Fresco San Zaccaria, Venice
   
   
     
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     Andrea del Castagno
     Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

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